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How Did This Get Made?

Earwolf and Paul Scheer, June Diane Raphael, Jason Mantzoukas

The Big Hit

May 8, 20261h 20m
Summary

In this episode, the hosts dive into the 1998 action-comedy The Big Hit, starring Mark Wahlberg as Melvin, a professional hitman who struggles with a desperate need to be a people-pleaser. The plot follows a chaotic kidnapping scheme that spirals out of control when the crew unknowingly abducts the goddaughter of their own powerful crime boss. The hosts explore the jarring tonal shifts of the film, which blends violent, stylized action reminiscent of John Woo with a light, farcical approach to disturbing subject matter. They find the movie to be a bizarre time capsule of the late nineties, noting the strange choices in set design, the excessive use of slow-motion violence, and a baffling, constant state of undress for the male characters. The discussion highlights the film’s failure to balance its "cool" assassin aesthetic with the emotional stakes of the characters' tangled personal lives. From the nonsensical tactical plans—involving night-vision goggles and synchronized watches—to the perplexing subplot about the protagonist’s inability to drink alcohol, the hosts dissect why this high-concept project feels like a failed attempt to replicate the success of contemporary dark comedies.

Updated May 12, 2026

About This Episode

Mark Wahlberg, Lou Diamond Phillips, and Christina Applegate star in the 1998 action-comedy The Big Hit—a movie that tries to make a farce out of kidnapping and murder while giving off vibes of a rejected Mountain Dew commercial. Paul, June, and Jason analyze Marky Mark breakdancing mid-gun fight, the locker room masturbation convo, the video store clerk, if Keiko was in high school or college, the "romantic" kosher dinner cooking scene, and so much more. Plus, a discussion about a bathroom with two doors leads to a rare June traumatic childhood story.


JASON'S COMPANION VIEWING RECS:

Videoheaven (2025)

Film Club (2025)

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