Hyperfixed
Hyperfixed & Radiotopia
Amityvilleville
En este episodio de Hyperfixed, los presentadores Alex Goldman y Caroline Thompson se sumergen en el curioso fenómeno cinematográfico de la franquicia Amityville. Tras explicar cómo el nombre de la famosa casa quedó libre de derechos de autor, lo que permitió la creación de decenas de películas de dudosa calidad, los anfitriones comparten su ambicioso plan: ver y comentar cada una de las 92 películas que conforman esta inusual saga. El foco principal de la conversación es Amityville 3D. A pesar de la frustración por no poder verla en su formato original, analizan con humor la estética de la película, desde la famosa casa con sus "ojos" hasta los intentos deliberados de aprovechar la tecnología 3D mediante efectos que, vistos hoy, resultan cómicos. Más allá de lo técnico, discuten la trama, que sigue a dos periodistas escépticos que intentan desenmascarar un fraude paranormal, solo para terminar viviendo en la casa embrujada. El episodio equilibra el análisis de la narrativa —incluyendo el sorprendente elenco que incluye a una joven Meg Ryan— con anécdotas personales sobre experiencias propias con sesiones espiritistas, aportando un tono ligero y entretenido a esta peculiar revisión del cine de terror.
Updated Apr 3, 2026
About This Episode
Alex has a new podcast called Amityvilleville, on which he and his friend Caroline Thompson watch all 92 movies in the Amityville Franchise, interview people involved in the making of these movies, and hopefully some people involved in the true life amityville case! On this episode, we watch Amityville 3-D, the third entry in the series, starring a young Meg Ryan and Lori Laughlin.
Amityville 3-D: Here's how my mom and dad fell back in love after my dad bought a haunted house that killed me and then exploded.
As of this writing, Amityville 3-D is available (lamentably, in 2-D) on the following streaming services:
If you are just discovering this podcast, please consider listening to Alex's other podcast, Hyperfixed
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More Episodes
Fauxbituaries
In this episode of Hyperfixed, the host explores the disturbing rise of fake, AI-generated obituaries. The investigation begins with Marcus, a listener whose friend passed away unexpectedly. While grieving, Marcus discovered numerous websites publishing erroneous, hallucinated, and deeply impersonal obituaries for his friend within days of the death. These sites, filled with pop-up ads and inaccuracies, appeared to be scraping social media to capitalize on search trends. The episode reveals that these obituaries are part of a broader, automated clickbait scheme. Experts explain that these sites exploit the opaque nature of the digital advertising ecosystem. Because online ad auctions occur in milliseconds through a complex chain of middlemen, advertisers often have no idea their brands are appearing on scam sites, misinformation hubs, or pages exploiting human grief. Drawing on organizational theory, the discussion likens the current ad-tech landscape to a system defined by tight coupling and interactive complexity, making it prone to inevitable failures. While some argue the system is beyond repair, the episode concludes by examining whether genuine reform is possible to curb the monetization of digital exploitation and protect the dignity of those being mourned online.
PREMIUM UNLOCKED: The Passion of the Fruit
In this episode of Hyperfixed, host Alex Goldman explores the peculiar absence of passion fruit from the American culinary landscape. The investigation begins with an appeal from Lee, an Australian expat living in Texas, who expresses his frustration at being unable to find this staple fruit in local grocery stores. Driven by curiosity, Alex attempts to track down the fruit himself, finding it both elusive and unexpectedly expensive. The episode delves into the agricultural and economic barriers that prevent passion fruit from becoming a mainstream commodity in the United States. Through conversations with agricultural experts, Alex learns that the industry suffers from a lack of coordination, limited growing regions, and significant labor-intensive challenges, such as the inability to mechanize the harvesting process. Because the market remains undeveloped and lacks a centralized growers' association to promote it, awareness among the American public stays low. The narrative highlights how the fruit is trapped in a cycle of low demand and high prices, contrasting it with other successful produce marketing campaigns. Ultimately, the episode serves as an engaging look at how niche cultural staples struggle to break into global markets.
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