The New Society | culture from the New Statesman
The New Statesman
William Boyd on spy fiction and the British psyche
In this episode of The New Society, host Tanjil Rashid speaks with acclaimed novelist and screenwriter William Boyd about the enduring fascination with spy fiction and its deep connection to the British psyche. Boyd explains that he was drawn to the genre after researching espionage for his novel Any Human Heart, which led to a long-term obsession with the infamous Cambridge Five. Boyd shares his belief that the world of espionage serves as a perfect arena for literary fiction because it mirrors the human condition, encompassing themes of betrayal, shifting identities, and moral ambiguity. He argues that the historical overlap between writers and intelligence services—due to the unique access journalists and authors possess—continues to make the spy genre a compelling canvas for writers to explore their own dilemmas. The discussion also explores the specific allure of analogue-era espionage. Boyd suggests that the tactile, pre-digital world of dead drops and telephone boxes offers more narrative tension than modern electronic surveillance. Finally, they reflect on the deep-seated class structures of Britain that provided the context for 20th-century traitors and discuss how those same societal tensions remain relevant to the world of modern political intrigue.
Updated May 18, 2026
About This Episode
What makes someone a good spy? And does the fiction writer, in many senses a professional liar, share the traits of a double agent?
Novelist and screenwriter William Boyd first explored the theme of espionage in his 2002 novel Any Human Heart and went on to pen a James Bond continuation novel called Solo.
His latest trilogy (Gabriel's Moon, The Predicament and Cold Sunset) explores what happens when a travel writer becomes entangled in Cold War Espionage.
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