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Ear Hustle

Ear Hustle & Radiotopia

Over and Over and Over and Over

Jun 10, 202639 min
Summary

In this deeply moving episode of Ear Hustle, the hosts explore a profoundly complex situation at San Quentin State Prison involving Sadiq, a man serving time for murder, and DeMarion, who arrives at the same prison only to discover that Sadiq is the man who killed his younger brother, Ronnie. The narrative captures the immense psychological tension of this encounter, specifically the internal conflict DeMarion faces while navigating the unspoken "prison code" that demands retaliation. Caught between the pressure to seek revenge and the desire to break the cycle of violence, DeMarion describes the agonizing emotional struggle that nearly drove him to self-destruction. Through the guidance of peer support workers, the two men eventually confront one another in a powerful, tearful meeting. Instead of violence, they choose a path of reconciliation and dialogue. The episode highlights their evolving relationship, anchored by shared creative pursuits like music, which serves as a vital tool for their ongoing healing. Ultimately, the story provides a raw look at the true capacity for forgiveness and the difficult, deliberate process of choosing human connection over the cycles of trauma.

Updated Jun 25, 2026

About This Episode

Even though they share a difficult past, Sadiq and Demarion had never met in person, and it was probably best that it stayed that way. When an event at San Quentin brought them together, Demarion faced an agonizing choice. 

This episode was scored with music by Derrell Sadiq Davis, Demarion English, David Jassy, and Antwan Williams. 

Thanks, as always, to Warden Andes, Lt. Berry, and Sgt. Graves at San Quentin Rehabilitation Center; and Acting Warden Padilla, Associate Warden Lewis, and Lt. Avina at the California Institution for Women for their support of the show. 

Help us reach 1,000 donors by June 30. Make your gift today at earhustlesq.com/donate.

Ear Hustle is a proud member of Radiotopia, from PRX. 

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